Cyberlink audio director review.Cyberlink Director Suite 3 review: Improved editing tools, codec support, more
My CyberLink PowerDirector 19 Review.CyberLink PowerDirector 19 Review – Overview & New Features
Mar 24, · CyberLink PowerDirector Review. the year for subscribers to the version of PowerDirector and the larger Director Suite , which includes photo and audio software. CyberLink /5. Apr 05, · FOR ALL MY LATEST CONTENT YOU WILL NEED TO SUBSCRIBE TO MY NEW CHANNEL: Cyberlink’s Director Suite package contains several di. Sep 19, · CyberLink PowerDirector 11 Director Suite isn’t going to give the top high-end professional video editing platforms stiff competition yet, and maybe CyberLink won’t want to /5.
Cyberlink audio director review.5 Best Audio Editing Software Reviews of –
Sep 19, · CyberLink PowerDirector 11 Director Suite isn’t going to give the top high-end professional video editing platforms stiff competition yet, and maybe CyberLink won’t want to /5. Dec 18, · CyberLink PowerDirector 18 review There’s also a Director Suite subscription, which includes PowerDirector for video, PhotoDirector for still photography, AudioDirector for audio and 4/5. Sep 24, · The latest version of Cyberlink’s flagship video/photo/audio creative bundle, Director Suite 3, adds more granular editing of titles and transitions, sports .
CyberLink PowerDirector 19 Review – Overview and What’s New
PowerDirector price and availability
CyberLink PowerDirector 11 Director Suite Review | Trusted Reviews
CyberLink PowerDirector 11 Director Suite Review
What Is Audio Editing Software?
Cyberlink Director Suite 3 Review: Better editing, new codecs | TechHive
Trusted Reviews is supported by its audience. If you purchase through links on our site, we may earn a commission. Learn more. PowerDirector 10 is still the consumer video editing application with the most comprehensive support for 3D. With PowerDirector 11, however, CyberLink hopes to climb yet another rung up the ladder, and potentially topple its competitors.
We will be looking at the features of these two newcomers, which can also be purchased and used standalone, later in this review. For now, suffice it to say that ColorDirector brings features you would normally expect to see in a high-end video tool like Adobe After Effects, whilst AudioDirector provides powerful audio facilities akin to Adobe Audition or SoundForge. Used alongside PowerDirector 11, they both provide round-trip editing, where you can call them from within PowerDirector, with any changes you make being reflected back to the host app.
If you purchase the PowerDirector 11 Director Suite bundle, you also get the increasingly powerful PhotoDirector, now in its fourth incarnation. There have been some noticeable improvements under the hood, however. The rendering engine already seemed to support every hardware acceleration available.
With version 11, PowerDirector can also harness multiple graphics cards, including Intel HD and integrated graphics alongside a discrete graphics chispet. We found scrubbing and playback pretty slick when we did use accelerated effects, although this will vary depending on the host hardware. Our test system was packing a 2. CyberLink PowerDirector 11 4K Compatability As we mentioned at the beginning of this review, PowerDirector already had the most comprehensive native support for 3D footage in version CyberLink looks further into the future with version 11 by adding support for both 2K and 4K footage.
The former has a horizontal resolution of 2, pixels, and the latter 4, pixels. You choose a clip, and right click to edit in this mode, which begins analysis of the footage. When this is complete, a new window appears with a timeline showing how the clip divides into sections.
Any zooms are detected and shown, as are pans. But the software will also indicate when faces are onscreen, when there is motion in the frame, and when shaky video or poor lighting is detected. However, the idea behind this system is that you can quickly find the interesting portions of your clips, then mark these as selected or deselected.
CyberLink PowerDirector 11 Effects A selection of smaller editing enhancements have been included too. You can undock the preview window and move it on its own to a second monitor, then maximise it for a full-screen preview. Ripple editing lets you add or remove clips whilst maintaining the alignment of the rest of your edit. You can choose to overwrite, or move just the affected track to the right, or even move all tracks to the right.
There are now hotkeys for various commands, which you can customise as desired, for example replicating the commands used by an editing application you have used before. You can create four-colour gradient borders in the Picture-in-Picture, Title and Menu Designers, too.
The effects included have also been expanded, although not all versions will have this. A couple of extra NewBlueFX packages have been included. This includes a host of new content for the title, particle, picture-in-picture and menu designers. This loads the clip into ColorDirector, where you can make the adjustments you want. The Back button then returns you to PowerDirector, where your adjustments will be immediately reflected.
Reload ColorDirector with the same procedure, and you can make more tweaks to your settings. Once you have a clip loaded into ColorDirector, a huge range of colour adjustments become available. These include very sophisticated colour correction, such as one-click white balance. Tone can be adjusted, with separate controls for five levels of brightness, as well as overall exposure and contrast. There are sliders for clarity, vibrancy and saturation.
Hue, saturation and lightness can be adjusted for eight different colour ranges, and one can be replaced wholesale with another, although this can cause some unwanted effects when applied globally, changing areas you might want left alone, despite the tolerance slider.
There are also Magic Bullet-style colourisation presets to give your footage the look of specific film types or old video broadcasts. These changes are all non-destructive, even when transferred back into PowerDirector. There are even moderate trimming and splicing tools, so you can confine your work to a small section of a clip. Automatic scene detection is available, to pull out multiple clips from one video file.
You can select a region by defining points around it and adjust only the area inside or outside that, although the points have no Bezier controls, so vertices will be very angular.
Gradient masks can be applied, too, which can be used for a variety of tasks, such as enhancing a dull sky with a bit more variation, or creating a quasi-tilt shift effect.
All the same adjustment parameters are available as can be used when making global adjustments. Perhaps the most surprising feature of ColorDirector is its ability to track the motion of an area of colour and replace this area with another colour as it moves. Similar tools to the impressive smart selection brush found in PhotoDirector 4 can be used to highlight an area to track, and ColorDirector will then go through the clip frame-by-frame and track this area.
You can then adjust the settings just for this area, for example to change the colour of a shirt, or invert it, for example to make everything but the shirt black and white. We found the tracked area needs to be continuous and not hugely varying in shape or size, but otherwise the results were pretty impressive, and not like anything we have seen outside of Adobe After Effects, which costs around ten times the price.
CyberLink PowerDirector 11 AudioDirector PowerDirector did already come with a respectable WaveEditor with some useful audio effects and improvement capabilities, which could be accessed from within PowerDirector using the Edit Audio button just above the timeline. AudioDirector, however, can be accessed in the same way and goes a whole lot further.
AudioDirector, in contrast, can handle 7. This is a true multi-track audio tool, with support for up to 99 layers of audio, with up to bit kHz sampling. The waveforms are represented on a visual timeline with rubber band controls for volume keyframes. Keyframes can be used with the audio effects, too. There are a host of these available, and this can be extended using third-party VST plugins.
However, the audio restoration tools are what singles AudioDirector out most of all. Noise reduction and healing technologies from iZotope are built in, allowing you to take a print of background noise and remove this. Particularly powerful is the spectral view with healing facilities. This allows you to find specific blemishes within your audio, such as a siren in the background, and remove just that, leaving pretty much everything else untouched.
This will locate the same noise source at different frequencies and select those for removal as well. This is a very high-end facility, and will initially be relatively hard for a newcomer to understand. Although PowerDirector does include SmartSound QuickTracks, it would have been even more powerful to have this available inside AudioDirector, where greater mixing control will be available.
But it does signify a huge step towards the application being a serious choice for the semi-professional and enthusiast market. It reopens a mid-range that has been neglected for some time, with only Avid Studio targeting the advanced hobbyist and wedding videography sector directly, since Avid Liquid and Corel MediaStudio Pro have lapsed into obsolescence. This is fast becoming a mature and very capable video editing platform, with a smooth workflow and plenty of features, particularly if you opt for one of the top two bundles.
These may both be quite a bit more expensive than the consumer competition, but they offer capabilities that none of them currently have. Editorial independence means being able to give an unbiased verdict about a product or company, with the avoidance of conflicts of interest.
To ensure this is possible, every member of the editorial staff follows a clear code of conduct. We also expect our journalists to follow clear ethical standards in their work. Our staff members must strive for honesty and accuracy in everything they do. Founded in , Trusted Reviews exists to give our readers thorough, unbiased and independent advice on what to buy. Today, we have 9 million users a month around the world, and assess more than 1, products a year.
Pros Real-time editing engine uses all the latest hardware acceleration Excellent new colour and audio apps Lots of new effects and file format support.
Cons Best new features are in two new applications Deluxe edition misses out on many new features No loop-based music creation in AudioDirector. Trusted Score. Score in detail Design 8. By James Morris. Editorial independence Editorial independence means being able to give an unbiased verdict about a product or company, with the avoidance of conflicts of interest. Professional conduct We also expect our journalists to follow clear ethical standards in their work.
Why trust our journalism?