Spherize in photoshop.Distort filters
How to Design a Globe in Photoshop.How to Create a 3D Sphere in Adobe Photoshop | Webucator
Apr 04, · In Adobe Photoshop I increased contrast on this square using maximum transparency checker board became clearer. I selected a circle the same size as the teapot and I under Distort I chose Spherize to %. I was inspired by Xianfeng David Gu’s visualization of holomorphic (differentials) forms on the surface of a teapot that I first noticed on the jacket design of George G. Views: K. Jul 22, · The Spherize filter makes a graphic look like it has been applied to a sphere, which means that straight lines become curved. In your texture, the cracks appear as curved consistent with what the filter is meant to do. Aug 22, · Distort filters are unavailable in Adobe Photoshop. When you try to use the Pinch, Spherize, Twirl, or ZigZag distort filters on a large image in Adobe Photoshop.
Spherize in photoshop.Distort filters are unavailable in Photoshop
How to Create a 3D Sphere in Adobe Photoshop. Three-dimensional images can be created in Photoshop either from scratch, by using Photoshop’s pre-configured shapes, or by importing wireframes and rendered artwork from 3D applications such as 3D Studio Max or Maya. 3D modeling in Photoshop is processor-intensive, so if you’ve seen a message when launching Photoshop about . Hello, I was wondering if there is a GIMP filter that is equivalent to the “spherize” filter in Photoshop. I basically need to be able to take pictures and make them both convex and concave in a threshold/increment fashion (, , 0, 20, 10), which the Photoshop filter allows. Apr 12, · In this video I will show you how to use the spherize tool in Photoshop. If you have any questions of comments, please leave them below.
How you can Spherize Photo Subjects in Illustrator
Apply the Pinch filter
PhotoEffect: How To Create a Spherical Collage in Photoshop
Add Sphere Effect in Photoshop CS6
Apply the Liquify filter
Distort filters in Photoshop Elements
Most folks take their first venture into distortion filters by using Pinch and Spherize. Pinch maps an image on the inside of a sphere or similarly curved surface; Spherize maps it on the outside of a sphere. It’s sort of like looking at your reflection on the inside and outside of a spoon. You can apply Pinch to a scanned face to squish the features toward the center or apply Spherize to accentuate the girth of the nose. Figure illustrates both effects. It’s a laugh, and you pretty much feel as though you’re onto something that no one else ever thought of before.
At least that’s how I felt — but I’m easily amazed. You can pinch or spherize an image using either the Pinch or Spherize command. Figure shows the dialog boxes for both filters. Note that a positive Amount value in the Pinch dialog box produces a similar effect to a negative value in the Spherize dialog box. There is a slight difference between the spatial curvature of the 3D calculations: Pinch pokes the image inward or outward using a rounded cone — we’re talking bell-shaped, much like a Gaussian model.
Spherize wraps the image on the outside or inside of a true sphere. As a result, the two filters yield subtly different results. Pinch produces a soft transition around the perimeter of a selection; Spherize produces an abrupt transition. If this doesn’t quite make sense to you, just play with one, try out the same effect with the other, and see which you like better. Another difference between the two filters is that Spherize provides the additional options of enabling you to wrap an image on the inside or outside of a horizontal or vertical cylinder.
To try out these effects, select the Horizontal Only or Vertical Only options from the Mode pop-up menu at the bottom of the Spherize dialog box. Photoshop applies the filter to the largest ellipse that fits inside the selection. As a result, the filter may leave behind a noticeable elliptical boundary between the affected and unaffected portions of the selection. To avoid this effect, select the region you want to edit with the elliptical marquee tool and then feather the selection before filtering it.
This softens the effect of the filter and provides a more gradual transition even more so than Pinch already affords. One of the more remarkable properties of the Pinch filter is that it lets you turn any image into a conical gradation. Figure illustrates how the process works. First, blur the image to eliminate any harsh edges between color transitions. Then apply the Pinch filter at full strength percent. Reapply the filter several more times.
After 10 repetitions, the face in the example all but disappeared. Figure After applying the Gaussian Blur filter, I pinched the image 10 times and applied the Radial Blur filter to create a conical gradation. Next, apply the Radial Blur filter set to Spin 10 pixels or so to mix the color boundaries a bit. The result is a type of gradation that you can’t create using Photoshop ‘s gradient tool. Learn Photo Editing. Photoshop Face Off Video current.
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