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Alternate Versions. Showing all 4 items. Tango hitting the fellow inmate’s head against the prison cell bars, shots of both men being dipped into water containing live electricity cables, Cash’s outburst in the prison where he refers to Requin as a “Limey Immigrant jerk-off”, and Requin’s response where he calls Cash a “fucking wanker”. Tango Controls versions in use¶. Intended audience: all ALBA Synchrotron. Tango Controls versions: x/x/x/; PyTango versions: x/x/x. Jun 14,  · Tango gives you the highest quality video & phone calls, texts, photo & video sharing, games and more for FREE! It’s the all-in-one social networking /5(13).


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Older versions of Tango Messenger It’s not uncommon for the latest version of an app to cause problems when installed on older smartphones. Sometimes newer versions of apps may not work with your device due to system incompatibilities. Until the app developer has fixed the problem, try using an older version of the app. Tango Versions Julian Vat, Marcelo Macri. Raíces · Preview SONG TIME Naranjo en Flor. Julian Vat, Marcelo Macri. 1. PREVIEW Sur. Julian Vat, Marcelo Macri. 2. . Tango is a partner dance, and social dance that originated in the s along the Río de la Plata, the natural border between Argentina and was born in the impoverished port areas of these countries, in neighborhoods which had predominantly African descendants. The tango is the result of a combination of Rioplatense Candombe celebrations, Spanish-Cuban Habanera, and Argentinean.
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It was born in the impoverished port areas of these countries, in neighborhoods which had predominantly African descendants. Tango is a dance that has influences from African , Native American and European culture. The dance originated in lower-class districts of Buenos Aires and Montevideo. The music derived from the fusion of various forms of music from Europe. Initially, it was just one of the many dances, but it soon [ when?

When the tango began to spread internationally around , cultural norms were generally conservative, and so tango dancing was widely regarded as extremely sexual and inappropriate for public display. This led to a phenomenon of culture shock. Additionally, the combination of African, Native American and European cultural influences in tango was new and unusual to most of the Western world.

In the early years of the 20th century, dancers and orchestras from Buenos Aires travelled to Europe, and the first European tango craze took place in Paris , soon followed by London , Berlin , and other capitals. In the U. The term was fashionable and did not indicate that tango steps would be used in the dance, although they might be. Tango music was sometimes played but at a rather fast tempo. Instructors of the period would sometimes refer to this as a “North American tango”, versus the so-called “Argentine Tango”.

The Tango was controversial because of its perceived sexual overtones and, by the end of , the dance teachers who had introduced the dance to Paris were banished from the city. Mariano Mores played a significant role in the resurgence of the tango in s Argentina. Tango declined again in the late s, as a result of economic depression and the banning of public gatherings by the military dictatorships ; male-only tango practice—the custom at the time—was considered “public gathering”.

That, indirectly, boosted the popularity of rock and roll because, unlike tango, it did not require such gatherings. There are several theories regarding the origin of the word tango , none of which has been proven. According to an alternative theory, tango is derived from the Spanish word for ” drum “, tambor. It is also sometimes theorized that the word is derived from the Portuguese word tanger , which means “to play a musical instrument”.

According to some authors, tango is derived from the Kongo word ntangu which means “sun”, “hour”, “space-time”. The tango consists of a variety of styles that developed in different regions and eras of Argentina as well as in other locations around the world. The dance developed in response to many cultural elements, such as the crowding of the venue and even the fashions in clothing. The styles are mostly danced in either open embrace, where lead and follow have space between their bodies, or close embrace , where the lead and follow connect either chest-to-chest Argentine tango or in the upper thigh, hip area American and International tango.

The milonguero style is characterized by a very close embrace, small steps, and syncopated rhythmic footwork. It is based on the petitero or caquero style of the crowded downtown clubs of the s. In this case the embrace may be allowed to open briefly, to permit execution of the complex footwork. The complex figures of this style became the basis for a theatrical performance style of tango seen in the touring stage shows.

For stage purposes, the embrace is often open, and the complex footwork is augmented with gymnastic lifts, kicks, and drops. A newer style sometimes called tango nuevo or “new tango”, has been popularized in recent years by a younger generation of dancers. The embrace is often quite open and very elastic, permitting the leader to lead a large variety of very complex figures.

This style is often associated with those who enjoy dancing to jazz- and techno-tinged “alternative tango” music, in addition to traditional tango compositions.

Tango canyengue is a rhythmic style of tango that originated in the early s and is still popular today. It is one of the original roots styles of tango and contains all fundamental elements of traditional Tango from the River Plate region Uruguay and Argentina. In tango canyengue the dancers share one axis, dance in a closed embrace, and with the legs relaxed and slightly bent. Tango canyengue uses body dissociation for the leading, walking with firm ground contact, and a permanent combination of on- and off-beat rhythm.

Its main characteristics are its musicality and playfulness. Its rhythm is described as “incisive, exciting, provocative”. The complex figures of this style became the basis for a theatrical performance style of Tango seen in the touring stage shows.

For stage purposes, the embrace is often very open, and the complex footwork is augmented with gymnastic lifts, kicks, and drops. A newer style sometimes called tango nuevo or “new tango” was popularized after by a younger generation of musicians and dancers.

The embrace is often quite open and very elastic, permitting the leader to initiate a great variety of very complex figures. This style is often associated with those who enjoy dancing to jazz- and techno-tinged, electronic and alternative music inspired in old tangos, in addition to traditional Tango compositions.

Tango nuevo is largely fueled by a fusion between tango music and electronica electrotango [ es ] , though the style can be adapted to traditional tango and even non-tango songs. Gotan Project released its first tango fusion album in , quickly following with La Revancha del Tango in Bajofondo Tango Club , a Rioplatense music band consisting of seven musicians from Argentina and Uruguay, released their first album in Tanghetto ‘s album Emigrante electrotango appeared in and was nominated for a Latin Grammy in These and other electronic tango fusion songs bring an element of revitalization to the tango dance, serving to attract a younger group of dancers.

In the second half of the s, a movement of new tango songs was born in Buenos Aires. It was mainly influenced by the old orchestra style rather than by Piazzolla’s renewal and experiments with electronic music.

The novelty lies in the new songs, with today’s lyrics and language, which find inspiration in a wide variety of contemporary styles. Ballroom tango, divided in recent decades into the “International” and “American” styles, has descended from the tango styles that developed when the tango first went abroad to Europe and North America. The dance was simplified, adapted to the preferences of conventional ballroom dancers, and incorporated into the repertoire used in International Ballroom dance competitions.

English tango was first codified in October , when it was proposed that it should only be danced to modern tunes, ideally at 30 bars per minute i. Subsequently, the English tango evolved mainly as a highly competitive dance , while the American tango evolved as an unjudged social dance with an emphasis on leading and following skills.

This has led to some principal distinctions in basic technique and style. Nevertheless, there are quite a few competitions held in the American style, and of course mutual borrowing of technique and dance patterns happens all the time. Ballroom tangos use different music and styling from the tangos from the River Plata region Uruguay and Argentina , with more staccato movements and the characteristic head snaps.

The head snaps are totally foreign to Argentine and Uruguayan tango, and were introduced in under the influence of a similar movement in the legs and feet of the tango from the River Plate, and the theatrical movements of the pasodoble. This style became very popular in Germany and was soon introduced to England.

The movements were very popular with spectators, but not with competition judges. Tango arrived in Finland in The melancholy tone of the music reflects the themes of Finnish folk poetry; Finnish tango is almost always in a minor key.

The tango is danced in very close full thigh, pelvis and upper body contact in a wide and strong frame, and features smooth horizontal movements that are very strong and determined. Dancers are very low, allowing long steps without any up and down movement, although rises and falls are optional in some styles. Forward steps land heel first except when descending from a rise, and in backward steps dancers push from the heel.

In basic steps, the passing leg moves quickly to rest for a moment close to the grounded leg. Dips and rotations are typical. There is no open position, and typically feet stay close to the floor, except in dips the follower might slightly raise the left leg. Unlike in some Latin American tango styles, in Finnish tango there is no kicking of any kind, and there are no aerials. Argentine , Uruguayan , and Ballroom Tango use very different techniques.

In Argentine and Uruguayan tango, the body’s center moves first, then the feet reach to support it. In ballroom tango, the body is initially set in motion across the floor through the flexing of the lower joints hip, knee, ankle while the feet are delayed, then the feet move quickly to catch the body, resulting in snatching or striking action that reflects the staccato nature of this style’s preferred music.

In tango, the steps are typically more gliding, but can vary widely in timing, speed, and character, and follow no single specific rhythm. Because the dance is led and followed at the level of individual steps, these variations can occur from one step to the next.

The Tango’s frame, called an abrazo or “embrace”, is not rigid, but flexibly adjusts to different steps, and may vary from being quite close, to offset in a “V” frame, to open. The flexibility is as important as is all movement in dance. The American Ballroom Tango’s frame is flexible too, but experienced dancers frequently dance in closed position: higher in the elbows, tone in the arms and constant connection through the body.

When dancing socially with beginners, however, it may be better to use a more open position because the close position is too intimate for them. In American Tango open position may result in open breaks, pivots, and turns which are quite foreign in Argentine tango and International English tango. There is a closed position as in other types of ballroom dance , but it differs significantly between types of tango.

In Tango from the River Plata region, the “close embrace” involves continuous contact at the full upper body, but not the legs. In American Ballroom tango, the “close embrace” involves close contact in the pelvis or upper thighs, but not the upper body. Followers are instructed to thrust their hips forward, but pull their upper body away and shyly look over their left shoulder when they are led into a “corte”. In tango from the River Plate region, the open position, the legs may be intertwined and hooked together, in the style of Pulpo the Octopus.

In Pulpo’s style, these hooks are not sharp, but smooth ganchos. In Tango from the River Plata, Uruguay and Argentina, the ball or toe of the foot may be placed first. Alternatively, the dancer may take the floor with the entire foot in a cat-like manner.

In the International style of Tango, ” heel leads ” stepping first onto the heel, then the whole foot are used for forward steps. Ballroom tango steps stay close to the floor, while the River Plata Tango Uruguayan and Argentine includes moves such as the boleo allowing momentum to carry one’s leg into the air and gancho hooking one’s leg around one’s partner’s leg or body in which the feet travel off the ground.

Both Uruguayan and Argentine tango features other vocabulary foreign to ballroom, such as the parada in which the leader puts his foot against the follower’s foot , the arrastre in which the leader appears to drag or be dragged by the follower’s foot , and several kinds of sacada in which the leader displaces the follower’s leg by stepping into her space.

Music and dance elements of tango are popular in activities related to gymnastics , figure skating , synchronized swimming , etc. Tango appears in different aspects of society: Regular milongas and special festivals.

On a regional level there are also many festivals inside and outside of Argentina. Typically the tango is performed between a man and a woman, however the two have very different aspirations within the tango.

Woman often looked to the tango to help them gain confidence and to help them find a potential relationship. Gender roles also plays a big part in the mechanics of tango due to the tango needing a leader. But in more recent times this is being challenged due to woman not wanting to be dependent on the male for the dance.

This allowed for both men to learn the leading and following roles of tango and adapt to both lead equally in the dance.

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